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Reviews:

"Artfully exposing cinema's debt to theatricality, Alain Resnais's impeccably designed take on Alan Ayckbourn's stage study of the secrets and half-truths destabilising a Yorkshire amdram company affords a final opportunity to see a master at work. A mischievously melancholic delight. **** " - David Parkinson, Empire

 "charming, delicately performed and unexpectedly poignant ****" - Allan Hunter, Daily Express

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酣歌暢愛 Life of Riley

導演: 亞倫雷奈
編劇: 亞倫雷奈
演員: 莎嬪艾慈瑪  西波里特吉拉多特  卡洛琳西侯  米歇爾維耶摩
類型: 劇情 / 喜劇
製片國家/地區: 法國
語言: 法語
上映日期: 2014-03-26(法國)
片長: 108分鐘
又名: 縱情一曲 / 愛,飲和唱 / 終曲歡宴 / 雷利的生活 / Life of Riley / Love, Drink and Sing

劇情簡介

本片是亞倫雷奈繼《吸菸》《不吸菸》和《喧嘩的寂寞》後,第三部改編自英國劇作家Alan Ayckbourn的舞台劇作品,榮獲第64屆柏林影展阿爾弗雷德鮑爾獎。

三對私交甚篤的夫婦正忙著為當地業餘劇團排練新戲,卻意外得知他們的長年好友喬治罹患癌症,餘命不到半年。隨著大限一天天逼近,往日的恩怨情仇與風花雪月也重新搬上檯面,頓時攪亂一池春水。這廂勾心鬥角、那廂醋海生波,當她、她、她都愛上他,這場權力宰制的愛情戲碼究竟會如何收場?

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關於導演

亞倫雷奈,1922年生於法國布列塔尼。

早期便以紀錄短片《夜與霧》捕捉納粹集中營殘酷景象而永垂青史。 1959年長片處女作《廣島之戀》更與同年的楚浮《四百擊》,聯手將法國新浪潮推上高峰。

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第64屆柏林國際電影節 (2014)

金熊獎(提名) 亞倫雷奈
銀熊獎 阿弗雷鮑爾獎 亞倫雷奈

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Overview
In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live.

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Alain Resnais’ (Last Year at Marienbad, Hiroshima mon amour) final film before his death in M​​arch 2014 is a moving, graceful, and surprisingly affirmative farewell to life from a truly great artist.

In the midst of rehearsals for a new play, amateur dramatics proponents Colin and Kathryn receive the shattering news that their friend George is fatally ill and only has a few months to live. Life begins to come apart at the seams – not just for Kathryn, who was once George's partner, but also for her friends Tamara and Monica. The full force of the emotional turmoil they experienced in their youth and their long-buried dreams are rekindled. Much to the chagrin of their respectable, middle-class husbands, the women begin to argue about which of them should be allowed to accompany George on a final journey …

After Smoking/No Smoking [1993] and Private Fears in Public Places [2006], this is the late Alain Resnais's third adaptation of a work by British playwright Alan Ayckbourn and the great master's last film. By confining the action to an artificial, almost entirely studio-bound world, he succeeds in creating a tragicomic theatre of vanities. Employing the ironic distance of a sage observer of human nature, Resnais ponders the power of love and desire and in doing so enables his characters, driven by their longings, hopes and obsessions, to leave the beaten track for once.

 

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